Rui Lopes
Basel
The New York Times credits Rui Lopes as “the richly gifted bassoonist”. Gramophone concurs: “highly musical and virtuoso”.
Although Rui only began studying the bassoon at eighteen, his musical temperament and virtuosity were quickly recognized and received many awards, including first prize in the prestigious Estoril International Competition. One of the most promising bassoonists of his generation, he shares his great passion for music with concert audiences all over the world.
Rui has appeared as a soloist with Zurich Symphony Orchestra, Basel Symphony Orchestra, Czech Chamber Orchestra, Chamber Orchestra Kremlin, Finnish National Opera, Algarve Chamber Orchestra, Chamber Artists Orchestra, Lisbon Metropolitan Orchestra, Collegium Musicum Basel, Camerata Antiqua de Curitiba, Portuguese Symphony, and other orchestras.
Rui is a member of the Camerata Variabile Basel and the Portuguese Chamber Soloists, and has played at the Schleswig-Holstein Music Festival, Festival Bohuslav Martinu, SoNoRo Festival, Crusell Festival, Oficina de Música de Curitiba, Stellenbosch International Chamber Music Festival, Boswiler Sommer, Lucerne, and other festivals and in May 2015, he had his Debut recital at the Carnegie Hall.
Rui’s first recording, Through Time, with the English Chamber Orchestra, featuring pieces by Vivaldi, Mozart, Elgar, Villa-Lobos, Françaix and including two world premieres, received unanimous international critical acclaim. He studied with Hugues Kesteman in Artave and Porto Music Academy, Sergio Azzolini at the Music Academy in Basel (soloist diploma with distinction) and with Marco Postinghel at the Richard Strauss Conservatory in Munich.
Rui’s passion for teaching led him to deliver regular masterclasses in Europe, America, South America, and Africa and teach the bassoon and chamber music in different academies and universities for several years. Rui is professor of Bassoon at the Academy in Strasbourg (HEAR – Haute école des arts du Rhin). For this recording he used a Heckel 15 '639, one of the rare copies from the Azzolini model.
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